Rupert Neve NEWTON CHANNEL Mic Pre + EQ + Compressor with Silk
Rupert Neve NEWTON CHANNEL Mic Pre + EQ + Compressor with Silk
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A powerful modern channel strip with an instantly recognizable sound.
The Newton Channel is a powerful modern channel strip born from a legendary sonic lineage. Its intuitive design provides classic sound on demand, with all the instantly-recognizable character, musical tone-shaping abilities, and proven reliability that define a Rupert Neve Designs product. The Newton is equally well-suited for a project studio, large-scale commercial facility or live sound rig – giving more engineers, producers, and artists a chance to join the RND family than ever before.
The name originates with Rupert’s birthplace – Newton Abbot, England – and reflects the sonic journeys of his life: from Newton Abbot to Wimberley, vintage to modern, and everything in between. This is a truly versatile, world-class channel strip capable of bringing any source to life with the classic sound of Rupert Neve Designs.
The Input Stage and Mic Preamp
The Newton’s microphone preamplifier contains all the tone and musicality expected from a Rupert Neve Designs piece. This preamp makes it incredibly easy to quickly dial in a tight, clean and detailed sound; and with a robust 72dB of gain including 6dB of fine trim control, the Newton is ideally suited for a wide variety of sources.
While the input stage is tailored to be an ideal match for standard microphone source impedance, it is equally happy being driven by line levels – so a pair of Newtons can also be put to use as a high-end mixing tool for any studio. The Newton also includes our distinctive variable high-pass filter with a comprehensive frequency range adjustment and independent bypass switch, allowing the engineer to quickly eliminate unwanted noise, rumble or other low frequency build-up in the source signal.
The Equalizer
The EQ section in the Newton is optimized for speed & flexibility with a simplified set of controls. The low and high frequency shelf bands are controllable with accurate 31-detent potentiometers that provide up to 12dB of gain boost/cut, providing the ability to dial in either subtle or extreme settings as desired.
The parametric mid-band of the Newton EQ section includes another 31-detent potentiometer and a wide range of mid frequencies to boost or cut, switchable from 220Hz to 7kHz. This makes the MF band particularly flexible, allowing for taming low-mid muddiness, boosting mid frequency presence, or removing any harshness in the upper midrange. The carefully-chosen fixed Q setting maintains a healthy balance of musicality and precision – just wide enough for brush-stroke equalization without adversely affecting neighboring frequencies.
As with every section of the Newton Channel, the EQ has an independent bypass button for double- checking settings every step of the way.
The Compressor
The Newton Channel also contains the latest iteration of Rupert Neve Designs’ ultra-smooth VCA compressor, with +20dB of make-up gain and ample control for any amount of needed compression while maintaining an effortless sound.
Also included is a helpful ‘pre EQ/post EQ’ push button to place the compressor either before or after the EQ section, plus an independent bypass button.
WHAT IS
Silk?
At the end of the Newton’s signal path is the unique & highly coveted variable Silk circuit, providing the power & control to amplify 2nd and 3rd order harmonics by saturating our custom Rupert Neve Designs output transformers for a vintage tonality. From a subtle transformer tonality without Silk, to significantly more color than vintage modules with the Silk / Texture circuit fully pushed, the Newton’s output stage can fill out tracks with enhanced power and sparkle.
Custom Transformer Outputs
The Newton Channel has a custom transformer output stage with a balanced MAIN standard line level output. Additionally, a separate -6dBu XLR output can compensate for high levels of input and Silk harmonic saturation, enabling engineers to fully drive the Newton to achieve more transformer harmonics without clipping the next device in the chain. Both outputs are active and can be used concurrently.
SPECIFICATIONS
Note: All measurements typical; all measurements recorded using 25ft. XLR output cables
Input Impedance: 8900 Ohms
Input to Line Output (No Features Engaged, Un-weighted)
Maximum Input Level: +23.6dBu
Noise (Un-weighted)
Line Out (Unity Gain): -102dBu
-6dB Line Out (Unity Gain): -107dBu
Line Out (+30dB Gain): -95dBu
Equivalent Input Noise @ +30dB Gain (EIN): -125dBu
Maximum Output Level @ 1kHz: +23.6dBu
Frequency Response
<10Hz to 30kHz: +/- 0.1dB
<5Hz to 70kHz: +/- 0.25dB
<5Hz to 140kHz: -3dB
THD+N, BW (<10Hz to 22kHz)
0dBu at 1 kHz: 0.0013%
+20dBu at 1 kHz: 0.0007%
Input to Line Output (Equalizer Engaged)
Noise (BW <10Hz to 22kHz): -90dBu
THD+N @ 0dBu (EQ Flat): 0.003%
Input to Line Output (Compressor Engaged)
Noise @ 0dB Make-Up Gain (BW <10Hz to 22kHz): -91dBu
THD+N @ 0dBu (EQ Flat): 0.005%
Compressor Section
Attack Time: 20mS (fixed)
Release Time: Variable; 50mS (Fast) to 500mS (Slow)
PRODUCT DIMENSIONS (W x D x H)
19” (48.3 cm) x 8.125” (20.63 cm) x 1.75” (4.5 cm)
SHIPPING DIMENSIONS (L x W x H)
24” (61 cm) x 13” (33 cm) x 4” (10.2 cm)
SHIPPING WEIGHT
9 lbs. (4.1 kg)